Three silver rings inspired by the movement of waves — soft and calming one moment, unpredictable the next. Some curves are exaggerated, others restrained, and the rough, hand-worked texture carries the time and emotion behind each piece. I left the title open on purpose: the blank space is for the parts of myself I still don't fully understand.

A collaboration with designer Nina Luo exploring the quiet pressure of socialisation — how we learn to hide parts of ourselves without quite noticing. The mask, made from a soft, skin-friendly bioplastic, covers only part of the face: gentle to the touch, but slowly shaping and restricting all the same. Shot in monochrome, stripping out colour to bring the gesture, texture, and discomfort closer to the surface.

A show reel shoot with Riley at Kurnell, chasing the last gold light before dusk. Sequins against raw sandstone, a diamanté chain held dripping just above the waterline — a small tension between glamour and the rougher textures of the coast that I keep coming back to in my work.

The same day's second look, in white instead of gold. I shot this one through a soft mist filter to push it further into a dream state — softer edges, a quieter kind of glamour, like a memory instead of a moment.

Shot at La Perouse in Sydney's eastern suburbs, this series plays with the contrast between soft natural light and the strength of the coastline. I was really drawn to how the waves, rocks, and light shaped the mood, creating a sense of quiet energy while keeping the images grounded and natural.

This was a recent BTS photography project where I worked both as a 2nd AC and the BTS photographer. It was also my first feature film experience, which gave me great exposure to a more industrialised film production workflow. I was able to bring my event photography experience into the BTS role as well, especially in capturing candid moments while staying responsive to the fast-paced set environment.